Tuesday, June 16, 2009

And Then Some News

Thursday’s essay is the third in a ten-part series about our Mediterranean cruise. The first essay was entitled, “Cruising is incredibly self-indulgent,” and it served as an introduction to the series. The second essay was called, “Barcelona and the French Riviera (Nice and Eze): Minds Stretched in New Directions.” The third essay (coming this Thursday) is, “Livorno, Civitavecchia, and Tuscania: So much history it boggles the mind.” The series will cover additional cruise stops in Naples, Athens, Istanbul, Santorini and Mikanos (Greece), as well as Venice. The essays will offer a little history, our experiences on the excursions, as well as additional insights and observations.

Share your link. Have you written anything on Mediterranean cruising? Have you visited Livorno, Civitavecchia, or Tuscania? Do you know someone who has? Can you share some insights about any of your own touring or excursion experiences with readers? What would you like to tell people who want to cruise the Mediterranean? Any personal information you would like to share with them? Share your link with us. We’ll post it and move traffic in your direction. And, a big “thank you,” in advance, from AndThenSomeWorks.com, for sharing your link.

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Thursday's And Then Some Essay preview

Livorno, Civitavecchia, and Tuscania: So much history it boggles the mind
by Richard L. Weaver II

Excerpt:

Traveling into Florence allowed us to see beautiful countryside as well as a park-like entrance and a view of the entire city from the Plaza of David where a copper replica of Michelangelo’s David holds a commanding overview. Within the city with its traffic and narrow streets, we went directly to the Academy Museum where Michelangelo’s actual statue of David resides. Getting there early helped us gain entry easily. There were many people standing in line to get in, but with a tour, reservations, and a bold excursion guide, we entered with little pause. Seeing this masterpiece of Renaissance sculpture — and the most recognizable statue in the history of art — is breathtaking. It is both a symbol of strength and youthful beauty.


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