by Richard L. Weaver II, Ph.D.
It was never a
dream of mine, and it was never even on my radar screen at all—at any
point in my life. The possibility of writing a college textbook came to
me without asking for it, soliciting it, or even thinking about it.
And yet I feel fortunate and, indeed, lucky.
To have the
privilege of writing a tenth edition of a college textbook is not
completely under an author’s control. That is, it is a choice made for
authors. First, it must be adopted by a sufficient number of
professional colleagues. Second, for them to make the decision to
adopt, it has to be liked by student readers of the book. Third, the
number of adoptions must be ample enough to make it worthwhile for the
publishing company—in this case McGraw-Hill—to invest its resources in a
new edition. Of course, the author must agree to write it; however, if
an author were to say no, many contracts allow publishing companies to
carry on without them—adding another author to the mast head.
The only reason I
began writing college textbooks is because my co-author, Saundra
Hybels, whom I had met in a college course at the University of
Michigan, asked me to co-author one with her. She knew the president of
a small publishing company—D. Van Nostrand (which has since gone out of
business)—and her connection permitted us (maybe even encouraged her!)
to write a book entitled Speech/Communication. Its popularity
and success led to a second edition, and when Random House bought out
the Van Nostrand list, we became Random House authors, and at that time
we changed the name of the textbook—even though it was exactly the same
book—to Communicating Effectively.
That was in 1984. (Our first edition of Communicating Effectively
carried a copyright date of 1986.) Saundra died in 1999, and I
finished the 1998 edition and then wrote the last five editions
(including the 10th) as a sole author. Previously we had divided the
task with Saundra writing the first half of the book, and with me
writing the second half including all the chapters on public speaking.
Who knew (or
could accurately predict) that the book would continue through a tenth
edition? When I mentioned that I had been asked to write a tenth
edition, my father-in-law, also a college textbook author, said to me,
“Do you know how many people in the world have ever been asked to write a
tenth edition?” (The answer, of course, is very, very few.)
The first thing I
did when asked to write the new edition was to request from my editor
at McGraw-Hill, Nicole Bridge, reviews of the ninth edition. I
suggested some of the areas that needed to be covered, and she proceeded
to get 20 reviews using an online form reviewers filled out and sent to
her. It is those 20 reviews that shaped and guided my work. I took
those reviews on a long summer vacation in our fifth wheel, and I worked
on them diligently for well over a month—organizing the ideas and
suggestions by chapter, highlighting those that demanded my attention,
noting those on which a future decision (whether to make the change or
not) would have to be made, and listing all those that would affect the
book as a whole rather than individual chapters throughout.
With the
organization of the reviewers’ comments complete, I created a
chapter-by-chapter revision plan which incorporated (prior to my doing
anything about the comments) all the reviewers’ ideas. This revision
plan became my precise and exacting blueprint for the ninth-edition
changes. It governed how I proceeded, which chapters needed the most
attention, and where additional research and investigation was
necessary. The revision plan grew as the actual changes were inserted
with page and paragraph numbers and whether permission would be
necessary to use the information.
Now I must pause
and explain a couple of items. First, I always anticipate writing a new
edition. This is important because I begin collecting new and relevant
information immediately after completing the last edition. You cannot
wait simply because important information may be overlooked; thus, the
search for information is an ongoing and unrelenting task. Books,
newspapers, magazines, scholarly journals, other textbooks, and any
other available resources (like the Internet) must be carefully and
thoroughly canvassed along the way.
The second item
that needs explanation at this point is a new adventure I began with
this edition. Because I blog, and because my five-day-a-week blog
entries are posted on Facebook as well as on my web site
http://www.andthensomeworks.com, I decided to chronicle the process of
writing the tenth edition in blogs, and the Facebook entries that
include the steps could be viewed there — but are likely to be deleted
now because of time. This was an enjoyable exercise, and for those who
have never written a textbook, I hope it offered interesting,
informative insights.
Once the revision
plan was complete—using the reviewers’ comments organized by chapter—I
began my work by following the blueprint. This is a tedious,
time-consuming, and challenging job that requires patience,
extraordinary insight, and close attention to detail.
Another job I
performed immediately when asked to write a tenth edition was to write
an “active open-mindedness” (or AOM) box for each of the 16 chapters.
Most of the previous editions offered adopters a new and unique “selling
point.” These included, “Consider This” boxes, “Another Point of View”
boxes, as well as “Working Together,” “Reality Check,” and “Strategic
Flexibility” boxes. The AOM boxes were a new selling point for the
tenth edition.
Just as an aside
here, every one of the AOM boxes I wrote at this early stage appears in
the completed tenth edition, and all appear without a single change from
when originally written.
There was another
important discovery, however, based on the reviews. Several reviewers
noted the short attention spans of students and offered suggestions for
breaking up large bodies of text material. It is precisely for that
reason that I added over 75 new marginal boxes designed to offer
specific instructions regarding text material, provide examples of text
information, or furnish a quick summary. Many appear simply to break up
long sections of textbook material.
Reviewer comments
suggested, too, that I combine my two chapters on group communication
into one, pull out all my sections on dealing with conflict in the three
chapters where they occurred and make a single new one entitled,
“Conflict and Conflict Management,” and reorder the contents in a more
meaningful and logical manner. These are major changes in a new edition
because you don’t want to lose adopters; however, to make such changes
requires great thought, careful organization, and much justification (to
self and others).
Many changes
follow when the main text is changed. There are organizational changes
in the instructor’s manual, new activities that must be organized for
instructors, new review and quiz questions, new items to support
instructor lectures, and creative web site and web work. The tenth
edition is a lot of work—especially when I began with a goal of
increased usefulness, improved structure, and more supporting
information and material.
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Writing and Developing Your College Textbook by
Mary Ellen Lepionka is a valuable resource. Anthony Haynes of the UK,
wrote this review of Lepionka’s book at Amazon.com: “There aren't many
books about textbooks and the ones that do exist tend to be rather
theoretical. This one is very practical. You can tell it isn't written
by a hack: the book is full of concrete details based on experience. As a
textbook publisher myself, I feel confident in saying that no
prospective textbook authors could read this without profit - and I
doubt any experienced authors could either.”
The
other six reviews were favorable as well. Another said, Mary Ellen
Lepionka’s (a veteran development editor in higher education publishing
for more than twenty years) publication, “is a straightforward guide to
creating an easy-to-understand, comprehensive, well-thought-out,
accessibly organized textbook for college-level courses. Individual
chapters cover how to publish the text manuscript, as well as the
importance of structure, ways to make drafting and revising easier, the
right way to acquire permissions when needed, and much, much more.
Writing And Developing Your College Textbook is very highly recommended
for aspiring textbook writers regardless of the subject matter of the
book itself.”
Jennifer Burns has a delightful and insightful essay, “Key to Successful Writing,” at the web site Cheap College Textbooks. If you are interested in getting started as a writer, this essay offers a useful starting point.
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Copyright March 2012 by And Then Some Publishing, LLC
Thursday, March 1, 2012
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Congratulations on an amazing milestone!
ReplyDeleteI usually complain about textbook prices, and thanks for shedding a light on this matter. You're such an inspiration. I guess if the author keeps on writing new versions it only means that he cares and passionate about sharing his knowledge. Just wondering... What are your thoughts on AApl's iAuthor?
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